December 2017 | Fanboys Anonymous

Fanboys Film Awards 2017: Best in Comic Book Movies This Year

Posted by Anthony Mango - Wednesday, December 20, 2017

Every year, one of the criticisms of the awards ceremonies is that there is a disconnect between what the average moviegoer appreciates and what the more artistic voters for these academies choose to represent the best of that particular year. Very rarely is any attention or adoration given to anything in the genres of comedy, horror, sci-fi, fantasy, action/adventure and so forth as opposed to what is commonly referred to as "Oscar-bait" material.

Thus, here at Fanboys Anonymous, we want to extend our gratitude to those movies which are overlooked with the first-ever FANBOYS FILM AWARDS!

The only qualification for the nominees is that they must fall somewhere into the geek culture spectrum, which means superhero films and similar genres. Everything else is not eligible for any of the categories, so you won't see Dunkirk on this list, but you still might see The Great Wall. However...I haven't actually seen either of those movies, so no, those aren't on this list.


NOTE: All nominees were from the time frame of January 1, 2017 to December 31, 2017 as far as release dates. Plus, this is only one person's opinion and I admittedly haven't even seen every film that could potentially be nominated, so that's going to put a significant bias on this. You're encouraged to leave your choices for the nominees and winners in the comments below to keep the discussion going!

BEST PICTURE

WINNER = Logan

EXPLANATION = Man, did I really want The Last Jedi to be in this spot, but it just pissed me off too much. Logan, on the other hand, held up to its expectations. It's not perfect, but it gave me the sendoff for Hugh Jackman's Wolverine in a way that I felt very pleased by the end of it.

HONORABLE MENTIONS = The Lego Batman Movie, Spider-Man: Homecoming, Thor: Ragnarok

BEST ACTOR

WINNER = Hugh Jackman as Logan/Wolverine in Logan

EXPLANATION = This is Wolverine, down pat. He's always killed this role and this time in particular, he put some extra effort into knocking it out of the park.

HONORABLE MENTIONS = James McAvoy as Kevin Wendell Crumb in Split 

BEST ACTRESS

WINNER = Dafne Keen as Laura Kinney in Logan

EXPLANATION = Nobody else stood a chance, half because there weren't any powerful performances in these types of films (and no, I don't think Gal Gadot was amazing) and half because Keen was just pretty damn good in her part outright.

HONORABLE MENTIONS = n/a from what I've seen

BEST SUPPORTING ACTOR

WINNER = Jacob Batalon as Ned Leeds in Spider-Man: Homecoming

EXPLANATION = TBD

HONORABLE MENTIONS = Patrick Stewart as Charles Xavier in Logan, Michael Rooker as Yondu in Guardians of the Galaxy Vol. 2, Michael Keaton as Adrian Toomes in Spider-Man: Homecoming

BEST SUPPORTING ACTRESS

WINNER = Cate Blanchett as Hela in Thor: Ragnarok

EXPLANATION = Is she hammy? Sure, but that's the style of movie she was in. Plus, she didn't have much competition.

HONORABLE MENTIONS = n/a from what I've seen

BEST STORY

This is an alternative to Best Adapted/Original Screenplay where the execution of the overall product might not be the equivalent of Best Picture, but the idea was there.
WINNER = The Lego Batman Movie

EXPLANATION = Exploring the pseudo love story between Batman and The Joker, while also diving into Batman's family issues? How did such a funny kids movie end up doing more to inform people of some of Batman's psychology than some of the movies that preceded it? This was so surprisingly rich.

HONORABLE MENTIONS = Logan, Spider-Man: Homecoming

MOST FAITHFUL ADAPTATION

Which felt like it was the most honorable to the source material it was trying to represent?

WINNER = Wonder Woman

EXPLANATION = While not the most compelling movie in the world, I did feel like I saw the best overall representation of Diana Prince that I've ever seen and I doubt even if the movie itself would have been better, that it would have heightened its own self-awareness of the character.

HONORABLE MENTIONS = Logan, Power Rangers, Spider-Man: Homecoming (but your MJ and Liz stuff docked you points)

BEST VISUALS

This examines special effects, cinematography, production design and even editing.

WINNER = Star Wars: Episode VIII - The Last Jedi

EXPLANATION = As much as the movie itself annoys me with its story choices, it was a spectacle to watch in terms of its visual meal.

HONORABLE MENTIONS = Ghost in the Shell, Guardians of the Galaxy Vol. 2, Thor: Ragnarok (very close #2)

BEST ACTION SET PIECE

This honors the stunt work as well as the choreography and idea of an action sequence.

WINNER = Kylo Ren and Rey vs. Praetorian Guards in Star Wars: Episode VIII - The Last Jedi

EXPLANATION = I would probably find things from Transformers: The Last Knight much cooler if I could tell what the hell was going on, which at least The Last Jedi is able to accomplish in this fight, that gave us some of the best "death by lightsaber" moments we've ever seen in the series.

HONORABLE MENTIONS = several scenes in Kingsman: The Golden Circle, opening Surtur fight in Thor: Ragnarok

BEST CHARACTER DESIGN

This combines makeup, costumes and the CGI build of characters.

WINNER = Thor: Ragnarok

EXPLANATION = Definitely a shame Justice League couldn't hold its own or that Wonder Woman had the awful looking Ares spoiling it. Thor had tons of different characters and they all popped.

HONORABLE MENTIONS = Spider-Man: Homecoming, Star Wars: Episode VIII - The Last Jedi (puppet Yoda takes it off the list)

BEST MUSIC

This category examines both the score and the soundtrack.

WINNER = Power Rangers

EXPLANATION = Star Wars doesn't get credit for recycling old themes and this was the only film of the entire year that I actively got the soundtrack for more than one or two songs. Even Guardians was a let down to me compared to the first film.

HONORABLE MENTIONS = Kong: Skull Island

WHAT MOVIES WOULD YOU CHOOSE FOR THESE AWARDS?
TELL US YOUR LIST IN THE COMMENTS BELOW!

Why The Last Jedi Ruins the Star Wars Saga Forever: Major Problems with the Film

Posted by Anthony Mango - Friday, December 15, 2017

I was so thoroughly disappointed with Star Wars: Episode VIII - The Last Jedi that I couldn't just do a normal Reviewpoint of it, as it wasn't an issue of a handful of positives and negatives.

There are so many core problems with this movie and how it has ruined the franchise and killed my hopes for the future of the series that I needed to write down my thoughts, balance them out into a more structured form (as my brain was just chattering away with "and another thing!" moments) and present them in a much more coherent fashion.

I basically feel like this film irreparably hurt everything that came before it and proves that I and many others who will agree with me shouldn't be anticipating anything positive coming out of future installments of the series.

Let's just dive into what caused me to feel so bummed out and deeply saddened as the end credits came up...


Taking risks vs. playing it safe


Let's just address the argumentative elephant in the room. People seem to be thinking that if you dislike this movie, you dislike it because it took risks, and they try to argue that you can't complain about that while also complaining that The Force Awakens played it safe.

In my mind, if your whole opinion on a movie's value is based on whether or not you could predict it, you're looking at it from the wrong perspective.

Movies aren't meant to surprise you, they're meant to tell you a story. Yes, it can be fun when you didn't see a twist coming, but that is a bonus, not the core purpose of this form of entertainment.

Subverting expectations is good only when the result that comes out of it is good. If it's just a surprise for the sake of a surprise and the end result is shit, then you're left with shit. You go into a Batman film expecting Batman to overcome the villain, right? Would it suddenly be an awesome movie if Batman was killed in the first 5 minutes just to surprise the audience and the rest of the film was spent watching Crazy Quilt rob banks?

If you're going to hate a movie because it's predictable and love it because it isn't, then just go see a magic act, because all you care about is the wow factor that will fade away in two seconds.

Movies that are written with the purpose of surprising an audience are no better than jump scares in horror films, which aren't actually scary, but just a momentary adrenaline rush.

The Last Jedi plays it safe in the sense that it copies elements of previous, better told stories as its backbone while taking risks with the few things it shouldn't play around with, and ruins them. Basically, out of fear of your child ruining their $5 toys, you handed your kid a priceless vase that can crack as soon as its dropped. Then, your kid dropped it, and if you would have just had them play with something cheaper and that got ruined, it wouldn't be as big of a deal.

This film could have taken risks with everything other than the Skywalker story, but that's the one thing they chose to fuck with, and they ruined it in the process.

Let the past die. Kill it, if you have to.


That is the theme of the movie, but it's ironic that it is hypocritical in how the story group approached writing this movie to begin with.

There's an overwhelming feeling of "kill off the original trilogy elements in order to make way for our new Disney-era Star Wars films" that I get with this, and that they're willing to hurt the franchise if they have to make way for their storytelling elements that they want to.

That in itself is a horrible way to go about things. It's the equivalent of saying that you need to total your car because the headlight was broken and you want to rebuild the whole thing. Mind you, you're running the risk of that car not being rebuilt in a better way, but much worse, and you could have just patched up the headlight and kept going.

Disney needed to correct the mistakes of the prequels that people didn't like, not burn the whole thing down to start new.

But even if we ignore that for a minute, we can see that it is hypocritical to have this kind of message and still make the types of films The Force Awakens and The Last Jedi are, because they both rely so heavily on repeating things from the original films that it proves this crop of writers can't write their own Star Wars movies, they can only rehash what has come before them.

"This movie isn't going to be like The Empire Strikes Back" is what they said. However, Empire is about the Rebel Alliance being on the run from an attack by The Empire. This movie is literally one single "running from an attack by The First Order" plot!

In Empire, two heroes (Han and Leia) that are romantically involved go to a city (Cloud City) that runs a business (mining) and they meet a scoundrel (Lando) who turns on them. In The Last Jedi, two heroes (Finn and Rose) that are romantically involved go to a city (Canto Bight) that runs a business (gambling) and they meet a scoundrel (DJ) who turns on them.

TESB starts off with a rebel base on a white planet being attacked until the heroes flee, while TLJ ends with a former rebel base on a white planet being attacked until the heroes flee.

Those Praetorian Guards? They're just the same red royal guards that we've seen before, with slightly altered costumes and weapons. I mean hell, they couldn't even color them differently? Why couldn't they have just been The Knights of Ren while we're at it?

Remember how in TESB, Luke goes into a weird cave and sees a vision of himself? Rey does the same here.

Clearly, with TFA and TLJ, the writers felt like they needed to have a Palpatine-esque guy, so they came up with Supreme Leader Snoke. If you replace Supreme Leader with Emperor and Snoke with Palpatine, what are the differences? One of them is the old, pale, scarred leader of the Empire who uses the dark side and sits on a throne before being killed by his apprentice, Darth Vader — the other is an old, pale, scarred leader of the First Order who uses the dark side and sits on a throne before being killed by his apprentice who looks just like Darth Vader and is his grandson. Jesus, they even both die with the protagonist in the room while they overlook the imminent destruction of the heroes!

The Force Awakens mostly rehashed A New Hope while this one took from The Empire Strikes Back and Return of the Jedi. Real original.

Supreme Loser Snoke


One of the best characters to exhibit the flaw of this new regime is Supreme Leader Snoke—an absolutely atrociously written character who could have been interesting if better writers had put any effort into him at all...and I mean, any effort at all.

We covered above how he is just a copycat Palpatine, but it's even worse that he has absolutely no backstory or anything we can care about at all.

His character was nothing but a tool, and an unnecessary one at that. He has no purpose at all.

This is what we know of Snoke:

He turned Ben Solo to the dark side. — How? We don't get to see any of this or have any of it explained, so it's an element we don't need in the story. Ben could have just turned to the dark side any other way, including being born with an inherent bad attitude.

He was the leader of the Empire, I mean, First Order — How? Did he just pop up one day and announce himself the leader in front of a committee that I'm unaware of? Why is he evil? Why does he want to rule the galaxy? Why does he also want to continue with Stormtroopers and stuff instead of making his own mark?

He died. — That's the end of it.

Everything else, we're either not told at all because it happened off-screen, or it doesn't matter.

In The Force Awakens, we're told, not shown, that he at some point interacted with Luke and Leia and Han and turned Ben evil and rose the ranks to become Supreme Leader and that he also somehow knows what happened with Vader and Palpatine, which we were given absolutely no information about in this movie, either.

The Skywalkers are failures and none of this struggle mattered at all


The story of Episode 1 to Episode 6, including Rogue One, is about how The Force is out of balance, so The Force creates Anakin Skywalker to fix that problem. He stumbles along the way, burning down the bureaucracy and causing horror, but he is ultimately redeemed through his children. His son, Luke, convinces him to eliminate the great evil. Luke, possessing the knowledge of how to create a better Jedi Order of peacekeepers, will pass on the right teachings to the future, while Leia will be instrumental in rebuilding society in a much better way than The Republic which preceded it. All is well.

The Force Awakens comes along and says "but what if instead of peace, The Empire just continued and killed everyone and we had to start all over again?" and The Last Jedi follows it up with "and this time, we prove to you that the Skywalkers can't do anything right."

Anakin was The Chosen One. He burned down an entire galaxy to kill one guy, and then his kids spent their lives trying to achieve peace, only to accomplish the complete opposite by raising Ben to decimate the galaxy again.

But don't worry, it's cool. We've got this random chick named Rey who can fix all our problems.

Is she the new Chosen One, born out of The Force? Is she a Skywalker, offsetting the evil of Kylo Ren?

Nope, she's just some girl. We literally even tell the audience that she is a nobody. It's important for them to follow the story of a nobody who has had no training and is not only more powerful than the bloodline of our Jesus metaphor, but also has a better sense of morality than the heroes that multiple generations of people grew up on.

With the way this movie ends, we're exactly the way we left off at the end of Revenge of the Sith, only this time, meaning the events of A New Hope, The Empire Strikes Back, Return of the Jedi and everything that followed it until Ben's turn to the dark side was all meaningless.

Now, we have to hope that this nobody can save the galaxy and pass on the teachings, cause that dumbass Luke sure couldn't do it. What a failure, that guy was, and what a failure his sister Leia was, too. The galaxy would have been better off if they both died in Return of the Jedi so they couldn't have spawned the evil of Kylo Ren. Maybe Admiral Ackbar and Mon Mothma would have kept The Republic alive, then.

Unless, of course, Kylo Ren turns good again, which means they just rehashed the Anakin Skywalker storyline again because they couldn't figure out anything else to write. Basically, you either copy and paste something that was done better the first time, or you say "fuck it, Rey's the chosen one because she's our creation and we prefer our own fan fiction to the lore that this whole series was built on."

Lucas is probably sick to his stomach that they just shat all over his story.

It reminds me of how X-Men: The Last Stand had a completely wrong message, where instead of Rogue choosing not to take the cure, she chose to take it. Instead of telling the audience "it's okay to be yourself", the message of that movie became "you really do need to change, you fucking weirdo."

Star Wars used to be about how love conquers all. Now, it's about how in the end, you're still going to fail.

If The Force knew that Anakin and Luke and Leia would ultimately not accomplish a single goddamn thing other than perpetual mass genocide, The Force should go back to the events 9 years before The Phantom Menace and just figure out a different plan.

You're just mad that it's a woman who is saving the galaxy


No, I'm mad that it isn't a Skywalker. If you told me at the end of this movie that Rey's parents were Luke and some unknown woman, or Han and Leia, then I would be much more okay with this, because there would still be a chance that the Skywalker lineage wouldn't be total failures.

Oh shut up and stop being melodramatic. It's just a movie.


I'm not tying a noose to end my life here, it's just sad to know that something you got a lot of enjoyment out of is no longer going to do that anymore.

This was one of my favorite franchises and now, I have no faith in the direction the storytellers are going, so I won't get that excitement and satisfaction out of future movies, and this one actively goes out of its way to hurt the prestige of the movies that I did love.

It's a bummer in the same way it would be a bummer to find out that your favorite television series was cancelled or that the restaurant that you love eating at changed its recipes.

Everything is "just" something. Yes, it's "just a movie" but movies are the biggest aspect of fun and entertainment in my life, and in one fell swoop, this film just did a number on damaging one of my favorite series and I'm not sure it'll ever get repaired, so I'm sad about that in the same way I would be sad if someone ruined my wedding, because in the end, isn't that just a party to celebrate my wife and I signing some papers?

But aren't you excited about how Episode 9 can fix these problems?


It won't. I'm not even going to be optimistic about it. If it does, then yeah, I'll be happier about it, but I'm not going to be hopeful.

Terminator 2: Judgment Day is my favorite movie of all time. Terminator 3: Rise of the Machines ruined the franchise. Since then, Terminator Salvation was a slight step up, but didn't fix the problems of T3. Then, Terminator Genisys was meant to be the savior to the franchise, but did even more damage than T3.

No. I have no faith Episode 9 will end in a way that I'll be happy with the choices they made here. But please, please prove me wrong.

I get it. You have a political agenda.


You want to complain about the prequels being too focused on preaching, but this is okay? This feels like the only goal of the movie was to make a propaganda piece about how the establishment is awful.

Mind you, I agree with this message! I absolutely hate how the rich and greedy can be powerful and how corporations can run governments and stuff. I like that message, but I don't need that to be the purpose of my Star Wars movie.

For instance, the whole Canto Bight thing was an unnecessary side mission. If I wanted to see a movie about how jockeys hurt horses, I'd watch Seabiscuit or whatever. This felt like an episode of Star Wars Rebels that I wouldn't have enjoyed, rather than a main theme of one of the core movies.

Canto Bight was lame, too. There was almost nothing making it feel like it was a Star Wars universe concept. They had carbon copies of the same games we have, with no otherworldly instruments. Those slot machines look like slot machines anybody could make at any casino. The craps table? Come on. They even looked like they were drinking standard Earth alcohol from standard Earth liquor glasses.

What about Leia?


This one, admittedly, isn't technically their fault, but how are they going to close out her story now? Does she just get written off in a stupid death off-screen? Do they not even bother to finish her arc and just act like she isn't around for the hell of it?

They should have just taken advantage of the extra few months they had and crafted a few changes to the script, done some reshoots, and killed her character off.

Miscellaneous other problems and nitpicking


  • Still no Lando? Okay, now, at this point, you need to kill him off before The Force Awakens in a side novel or show.
  • "Oh shit, people are complaining that Poe and Rey never met. Let's have them in a scene where they say hey."
  • "Oh shit, people are complaining that Captain Phasma should have been the one to fight Finn instead of that other random Stormtrooper. We'd better bring Phasma back to life and have the two of them fight in similar fashion and kill Phasma off again."
  • Leia floating was ridiculous. Not the idea behind it, because she should be powerful, but the execution of it. She looked like Mary Poppins.
  • Chewbacca should have died in The Force Awakens. He clearly has no purpose in this story anymore.
  • Yoda's CGI was horrible.
  • So Luke wants to burn down the Jedi text until Yoda stops him. Then, Yoda burns it and Luke is upset. Then, I guess Rey already has the books?
  • Nobody said "I have a bad feeling about this" at all to my recollection. This is like having a James Bond film where he doesn't say "Bond, James Bond" or "shaken, not stirred" or that it doesn't have the opening gun barrel. Yeah, those Daniel Craig films that neglected those pissed me off, too.

What I did like about the movie...


  • Porgs are adorable. I want one.
  • Some utterly minor details like how Leia told Threepio to wipe that look off his face, or how Luke said Artoo playing the hologram message was a cheap move.
  • Seeing Yoda again was great, even though the CGI was awful and his purpose was flawed.
  • The battering ram was cool.
  • Holdo going lightspeed through Snoke's ship was sweet.
  • My biggest positive takeaway I had from the entire film was the absolutely beautiful imagery of Luke becoming one with The Force. That almost made me cry.

Really, I just don't know how to process all this except to feel disappointed and to wish that I could go back in time to before I saw the film, because at least then, I had some hope that it wouldn't make the mistakes this movie did.

I would say that the best I can do is hope for Episode IX to come along and make me feel better, but, well, when 2019 comes along, you're not going to see me as excited anymore, that's for sure.

On the latest edition of the Fanboys Anonymous Reviewpoint podcast, host Tony Mango breaks down the hits and misses of Star Wars: Episode VIII - The Last Jedi.

What were the positives and negatives of Star Wars: The Last Jedi? Did it live up to the hype or was it a disappointment?

Check out the podcast below on YouTube, iTunes, and Stitcher. Make sure to subscribe and tell us your thoughts on The Last Jedi in the comments below!


STAR WARS: EPISODE VIII - THE LAST JEDI (2017)

Written and Directed by Rian Johnson

Starring: Daisy Ridley (Rey), Adam Driver (Kylo Ren), Mark Hamill (Luke Skywalker), John Boyega (Finn), Oscar Isaac (Poe Dameron), Domhnall Gleeson (General Hux), Andy Serkis (Supreme Leader Snoke), Laura Dern (Vice Admiral Amilyn Holdo), Gwendoline Christie (Captain Phasma), Kelly Marie Tran (Rose Tico), Peter Mayhew (Chewbacca), Anthony Daniels (C-3PO), Lupita Nyong'o (Maz Kanata) with Benicio Del Toro (DJ) and Carrie Fisher (Leia)

Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.

movie review Star Wars: The Last Jedi podcast

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75th Golden Globe Awards 2018 Nominees List

Posted by Anthony Mango - Monday, December 11, 2017

The 75th annual Golden Globe Awards will take place Sunday, January 7, 2018 at the Beverly Hilton on NBC, hosted by Seth Meyers. Here are the nominees for all of the categories. Give us your predictions on the winners and your favorites in the comments below!

TELEVISION AWARDS

Best Supporting Performance by an Actress in a Series, Miniseries, or Television Film
Laura Dern, Big Little Lies
Ann Dowd, The Handmaid's Tale
Chrissy Metz, This is Us
Michelle Pfeiffer, The Wizard of Lies
Shailene Woodley, Big Little Lies

Best Supporting Performance by an Actor in a Series, Miniseries, or Television Film
David Harbour, Stranger Things
Alfred Molina, Feud: Bette and Joan
Christian Slater, Mr. Robot
Alexander Skarsgard, Big Little Lies
David Thewlis, Fargo

Best Performance by an Actress in a Miniseries or Television Film
Jessica Biel, The Sinner
Nicole Kidman, Big Little Lies
Jessica Lange, Feud: Bette and Joan
Susan Sarandon, Feud: Bette and Joan
Reese Witherspoon, Big Little Lies

Best Performance by an Actor in a Miniseries or Television Film
Robert De Niro, The Wizard of Lies
Jude Law, The Young Pope
Kyle MacLachlan, Twin Peaks
Ewan McGregor, Fargo
Geoffrey Rush, Genius

Best Miniseries or Television Film
Big Little Lies
Fargo
Feud: Bette and Joan
The Sinner
Top of the Lake: China Girl

Best Performance By an Actress in a Television Series (Comedy or Musical)
Pamela Adlon, Better Things
Alison Brie, Glow
Rachel Brosnahan, The Marvelous Mrs. Maisel
Issa Rae, Insecure
Frankie Shaw, SMILF

Best Performance By an Actor in a Television Series (Comedy or Musical)
Anthony Anderson, Black-ish
Aziz Ansari, Master of None
Kevin Bacon, I Love Dick
William H. Macy, Shameless
Eric McCormack, Will and Grace

Best Performance By an Actress in a Television Series (Drama)
Caitriona Balfe, Outlander
Claire Foy, The Crown
Maggie Gyllenhaal, The Deuce
Katherine Langford, 13 Reasons Why
Elisabeth Moss, The Handmaid's Tale

Best Performance By an Actor in a Television Series (Drama)
Jason Bateman, Ozark
Sterling K. Brown, This is Us
Freddie Highmore, The Good Doctor
Bob Odenkirk, Better Call Saul
Liev Schreiber, Ray Donovan

Best Television Series (Comedy)
Black-ish
The Marvelous Mrs. Maisel
Master of None
SMILF
Will & Grace

Best Television Series (Drama)
The Crown
Game of Thrones
The Handmaid's Tale
Stranger Things
This is Us

MOTION PICTURE AWARDS

Best Original Score
Three Billboards Outside Ebbing, Missouri
The Shape of Water
Phantom Thread
The Post
Dunkirk

Best Original Song
"Home", Ferdinand
"Mighty River", Mudbound
"Remember Me", Coco
"The Star", The Star
"This Is Me", The Greatest Showman

Best Supporting Performance by Actress in a Motion Picture
Mary J. Blige, Mudbound
Hong Chau, Downsizing
Allison Janney, I, Tonya
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

Best Supporting Performance By an Actor in a Motion Picture
Willem Dafoe, The Florida Project
Armie Hammer, Call Me by Your Name
Richard Jenkins, The Shape of Water
Christopher Plummer, All The Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Best Performance By an Actress in a Motion Picture (Comedy or Musical)
Judi Dench, Victoria & Abdul
Helen Mirren, The Leisure Seeker
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Emma Stone, Battle of the Sexes

Best Performance by an Actor in a Motion Picture (Comedy or Musical)
Steve Carell, Battle of the Sexes
Ansel Elgort, Baby Driver
James Franco, The Disaster Artist
Hugh Jackman, The Greatest Showman
Daniel Kaluuya, Get Out

Best Performance by an Actor in a Motion Picture (Drama)
Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Tom Hanks, The Post
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

Best Performance By an Actress in a Motion Picture (Drama)
Jessica Chastain, Molly's Game
Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Meryl Streep, The Post
Michelle Williams, All The Money in the World

Best Motion Picture (Foreign Language)
A Fantastic Woman
First They Killed My Father
In the Fade
Loveless
The Square

Best Motion Picture (Animated)
The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent

Best Director - Motion Picture
Guillermo del Toro, The Shape of Water
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Christopher Nolan, Dunkirk
Ridley Scott, All The Money in the World
Steven Spielberg, The Post

Best Screenplay - Motion Picture
Guillermo Del Toro, Vanessa Taylor, The Shape of Water
Greta Gerwig, Lady Bird
Liz Hannah, Josh Singer, The Post
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Aaron Sorkin, Molly's Game

Best Motion Picture (Comedy or Musical)
The Disaster Artist
Get Out
The Greatest Showman
I, Tonya
Lady Bird

Best Motion Picture (Drama)
Call Me by Your Name
Dunkirk
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

WHO DO YOU THINK WILL WIN?
WHO ARE YOU ROOTING FOR?
LEAVE YOUR PREDICTIONS AND THOUGHTS IN THE COMMENTS BELOW!

List of Nominees Golden Globe Awards 2018 Winners 75th annual

6 Flicks Picks for December 2017 Movie Release Schedule

Posted by Anthony Mango - Friday, December 1, 2017

Welcome to another edition of 6 Flicks Picks, wherein I list all of the upcoming films that are scheduled to be released in the United States for the month which is about to begin and break down which ones I'll be watching in theaters, which ones I'll wait to rent at home, and which ones I'll be skipping out on entirely. After going through the list, I'll choose which six films stand out to me as the ones I want to see the most, even if there are more or less than six that interest me.

Note: The list below is based primarily off the expanded nationwide USA release dates on IMDB as well as some other random outlets if possible, so some information may be different. If I am missing some of the limited releases or the dates conflict in some fashion, please let me know in the comments below and any adjustments and corrections will be made!

Without further ado, another new month means another new set of films, so what's coming soon to theaters in December 2017?

What movies are coming out December 2017 6 Flicks Picks

RELEASE DATE: December 1, 2017

Wonder Wheel

Synopsis: On Coney Island in the 1950s, a lifeguard tells the story of a middle-aged carousel operator and his beleaguered wife.

Will I watch? = No

The Disaster Artist

Synopsis: When Greg Sestero, an aspiring film actor, meets the weird and mysterious Tommy Wiseau in an acting class, they form a unique friendship and travel to Hollywood to make their dreams come true.

Will I watch? = Yes

Padmavati

Synopsis: Set in medieval Rajasthan, Queen Padmavati is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and forms an obsessive love for the Queen of Mewar.

Will I watch? = No

The Tribes of Palos Verdes

Synopsis: When the situation at her idyllic Palos Verdes home turns volatile, young Medina attempts to surf her way to happiness.

Will I watch? = No

Love Beats Rhymes

Synopsis: When struggling rapper Coco (Azealia Banks) enrolls in a poetry class, she thinks her rhymes will impress her teacher, Professor Dixon (Jill Scott). Instead, Dixon challenges Coco to seek real meaning in her lyrics, setting her on a journey of discovery that takes her through rap clubs and poetry slams, leading her to find her true voice - and true love - in this uplifting movie costarring Lucien Laviscount and Common.

Will I watch? = No

Gangster Land

Synopsis: The story of America's most famous mobsters and their rise to power, GANGSTER LAND examines Al Capone's ascension through the eyes of his second in command, "Machine Gun" Jack McGurn. Once an amateur boxer, McGurn is lured into the Italian mafia after the murder of his step-father. Upon joining, he rises swiftly through the ranks along with friend and eventual Boss, Capone. As the Italian mob becomes the most lucrative criminal organization in the country, tensions build with "Bugs" Moran and the Irish mob which ignites a brutal gang war culminating with the St. Valentine's Day Massacre.

Will I watch? = No

Another WolfCop

Synopsis: Alcoholic werewolf cop Lou Garou springs into action when an eccentric businessman with evil intentions seduces Woodhaven's residents with a new brewery and hockey team in this outrageous horror-comedy sequel.

Will I watch? = No

Naples '44 (2016)

Synopsis: A British Intelligence Officer in Naples at the end of World War II: Norman Lewis's acknowledged masterpiece about a war-torn city and its unforgettable humanity.

Will I watch? = No

Slumber

Synopsis: A sleep doctor tries to protect a family from a demon that feeds on people in their nightmares.

Will I watch? = No

RELEASE DATE: December 8, 2017

The Shape of Water

Synopsis: An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.

Will I watch? = Maybe

All the Money in the World

Synopsis: The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.

Will I watch? = Maybe

Just Getting Started

Synopsis: A two-hander action comedy in the vein of Midnight Run about an ex-FBI agent (Jones) and an ex-mob lawyer in the witness protection program (Freeman) having to put aside their petty rivalry on the golf course to fend off a mob hit.

Will I watch? = No

I, Tonya

Synopsis: Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the activity is thrown into doubt when her ex-husband intervenes.

Will I watch? = No

RELEASE DATE: December 15, 2017

Star Wars: The Last Jedi

Synopsis: Having taken her first steps into the Jedi world, Rey joins Luke Skywalker on an adventure with Leia, Finn and Poe that unlocks mysteries of the Force and secrets of the past.

Will I watch? = Yes

Ferdinand

Synopsis: After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure.

Will I watch? = No

Permanent

Synopsis: Permanent is a comedy about bad hair, adolescence, and socially awkward family members. It involves life-altering permanents and poorly-made toupees. Obstacles to daily survival ensue.

Will I watch? = No

RELEASE DATE: December 22, 2017

Jumanji: Welcome to the Jungle

Synopsis: Four teenagers discover an old video game console and are literally drawn into the game's jungle setting becoming the adult avatars they chose.

Will I watch? = Maybe

Pitch Perfect 3

Synopsis: Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices.

Will I watch? = No

Downsizing

Synopsis: A social satire in which a guy realizes he would have a better life if he were to shrink himself.

Will I watch? = Maybe

Father Figures

Synopsis: Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him.

Will I watch? = No

The Post

Synopsis: A cover-up that spanned four U.S. Presidents pushed the country's first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government. Inspired by true events.

Will I watch? = No

Happy End

Synopsis: A drama about a family set in Calais with the European refugee crisis as the backdrop.

Will I watch? = No

RELEASE DATE: December 29, 2017

The Greatest Showman

Synopsis: Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

Will I watch? = No

Molly's Game

Synopsis: The true story of Molly Bloom, an Olympic-class skier who ran the world's most exclusive high-stakes poker game and became an FBI target.

Will I watch? = No

Phantom Thread

Synopsis: Set in 1950's London, Reynolds Woodcock is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma, who becomes his muse and lover.

Will I watch? = No

Film Stars Don't Die in Liverpool

Synopsis: A romance sparks between a young actor and a Hollywood leading lady.

Will I watch? = No

6 FLICKS PICKS

Which films make the cut?

6. All the Money in the World — I'm very curious how they handle switching Kevin Spacey out for Christopher Plummer.

5. Downsizing — The trailer got a chuckle out of me and this is a weak month, so sure.

4. Jumanji: Welcome to the Jungle — I was never as big a fan of the original as a kid as most people were my age, but it was still something I do remember watching two or three times, so there's a nostalgia element behind it nonetheless, and the previews have given me enough satisfaction that I'll Movie Pass it most likely.

3. The Shape of the Water — This is very interesting. I don't just get excited for a Guillermo Del Toro movie with his name attached, but after watching the trailer, I wanted to know more about the film's premise and what's going on with the creature. It's strange and I'm sure I'll see this at some point.

2. The Disaster Artist — I pretty much specifically watched The Room for the first time ever around Thanksgiving particularly because this movie looks interesting.

1. Star Wars: Episode VIII - The Last Jedi — Bought my tickets over a month ago. Come on. It's fucking Star Wars. Now please just give me confirmation that Rey is Luke's daughter, give Leia a worthy death, and don't screw absolutely anything up, okay?

WHICH MOVIES ARE YOU INTERESTED IN CHECKING OUT?
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